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MJM-027: Electronic Media

MJM-027: Electronic Media

IGNOU Solved Assignment Solution for 2023-24

If you are looking for MJM-027 IGNOU Solved Assignment solution for the subject Electronic Media, you have come to the right place. MJM-027 solution on this page applies to 2023-24 session students studying in MAJMC courses of IGNOU.

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Assignment Code: MJM-027 /ASST/Jul23

Course Code: MJM-027

Assignment Name: Electronic Media

Year: 2023

Verification Status: Verified by Professor



Q1) Explain the following camera movements with diagram:

Q1a) Pan

Ans) A "pan" is a fundamental camera movement where the camera pivots horizontally from a fixed position. This movement involves swivelling the camera left or right while keeping it in the same location. Panning captures a wider view or follows a subject's movement within the frame. The purpose of a pan is to reveal more of the scene gradually or to track the movement across a horizontal plane. It creates a sense of continuity, allowing the audience to follow the action smoothly. Panning shots are versatile, used in various genres from landscapes to action sequences, offering flexibility in framing and storytelling.


For instance, in a scenic shot, a slow pan across a landscape can showcase its vastness. In an action sequence, a fast pan can track a moving subject or convey urgency. Panning shots can also be combined with other movements or techniques for dynamic storytelling in filmmaking and videography.


Q1b) Tilt

Ans) A "tilt" is a vertical camera movement executed by pivoting the camera up or down while keeping its horizontal axis fixed. This movement alters the camera's angle of view vertically, allowing for a gradual shift from the ground upwards or from the sky downwards. When tilting up, the camera captures the scene from a low point to a higher angle, revealing what is above the initial viewpoint. Conversely, tilting down reveals what lies below the original point of view.


The tilt movement is effective in emphasizing vertical elements in a scene, such as tall buildings, expansive landscapes, or to create a dramatic reveal. It helps in altering the viewer's perspective and can evoke different emotions or emphasize the scale and depth of a location or subject. This movement is distinct from a pan or a dolly, as it specifically adjusts the vertical orientation of the camera without changing its horizontal position.


Q1c) Dolly

Ans) The "dolly" movement involves physically moving the entire camera system towards or away from the subject. This movement employs a wheeled platform called a dolly or tracks to smoothly manoeuvre the camera in a linear direction. Moving the camera closer to the subject (dolly in) increases the proximity and intimacy with the subject, while moving away from it (dolly out) can create a sense of distance or isolation. This movement allows filmmakers to change the framing dynamically, adjusting the perspective or revealing new details within the scene. It's commonly used to emphasize a character's emotions, intensify action sequences, or smoothly transition between different parts of a setting. The dolly movement can add depth and dimension to shots, creating visual impact and enhancing storytelling by controlling the audience's perspective and engagement with the subject or scene.

Q1d) Dolly Zoom

Ans) The dolly zoom, also known as the "vertigo effect" or "trombone shot," is a cinematic technique involving simultaneous camera movement and zoom adjustment. It creates a visual effect where the subject remains the same size while the background either expands or contracts dramatically.


To achieve the dolly, zoom effect, the camera physically moves closer or farther away from the subject while simultaneously adjusting the zoom lens in the opposite direction. For instance, if the camera moves closer to the subject, the zoom is adjusted to zoom out. Conversely, if the camera moves away, the zoom is adjusted to zoom in. This creates a dynamic visual impact where the subject maintains its size in the frame, but the perspective of the background changes dramatically, resulting in a surreal or disorienting effect. This technique is often used to convey a sense of unease, disorientation, or emotional impact in a scene, intensifying the viewer's focus on the subject while altering the background's perceived depth.

Q2) Discuss the different rules of photography composition.

Ans) Photography composition refers to the arrangement and organization of visual elements within a photograph to create a visually appealing and effective image. While there are no strict rules in art, certain principles and guidelines have emerged over time to help photographers enhance the impact of their images.


Here are some key rules of photography composition:

a) Rule of Thirds: Divide the frame into a 3x3 grid with two horizontal and two vertical lines, creating nine equally sized sections. Place key elements along these lines or at their intersections to add balance and interest to the composition.

b) Leading Lines: Use lines within the frame, such as roads, rivers, or architectural elements, to lead the viewer's eye toward the main subject. Leading lines help guide the viewer's gaze and create a sense of depth.

c) Symmetry and Patterns: Capture symmetrical scenes or repetitive patterns to create a visually striking composition. Symmetry provides a sense of balance, while patterns add rhythm and interest to the image.

d) Framing: Use natural or man-made elements to frame the main subject. This technique draws attention to the subject and adds depth to the image. Frames can be arches, doorways, branches, or any other surrounding elements.

e) Foreground, Middle ground, Background: Incorporate elements in the foreground, middle ground, and background to create depth and dimension in the image. This technique helps avoid a flat or two-dimensional appearance.

f) Fill the Frame: Fill the frame with the main subject to eliminate distractions and emphasize the subject's details. This technique is effective for portraits or capturing intricate details.

g) Rule of Odds: In group shots or compositions involving multiple elements, odd numbers of subjects tend to be more visually appealing than even numbers. This can create a more balanced and harmonious composition.

h) Golden Ratio (Fibonacci Spiral): Similar to the rule of thirds, the golden ratio involves dividing the frame into sections based on the Fibonacci sequence. This creates a spiral pattern that guides the viewer's eye toward the main subject.

i) Isolation: Isolate the main subject from the background by using a shallow depth of field. This helps the subject stand out and reduces distractions, emphasizing the focal point.

j) Balance: Achieve visual balance by distributing the visual weight of elements within the frame. Balance can be symmetrical (even distribution) or asymmetrical (uneven distribution with smaller elements offsetting larger ones).

k) Contrast: Create contrast between elements to make the subject stand out. This can be achieved through contrasting colors, textures, or tones.

l) Rule of Space: When photographing moving subjects, leave space in the direction they are moving to create a sense of motion and provide visual breathing room.

m) Dutch Tilt (Diagonal Lines): Introduce a slight tilt to the camera for dynamic and unconventional compositions. This technique can evoke a sense of tension or unease in the viewer.


Understanding and applying these rules of photography composition provides a foundation for creating visually compelling and impactful images. While it's essential to be aware of these guidelines, creativity often involves breaking or bending these rules to achieve unique and innovative results. Experimentation and a keen eye for visual elements are crucial for developing a personal and distinctive photographic style.


Q3) Describe the following terms:


Q3a) Exposure Triangle

Ans) The Exposure Triangle is a fundamental concept in photography that illustrates the relationship between three crucial elements—aperture, shutter speed, and ISO—determining the exposure or brightness of an image.

a) Aperture: This refers to the size of the opening in the lens through which light enters the camera. It's measured in f-stops, where a lower f-stop (wider aperture) allows lighter to reach the sensor, resulting in a shallower depth of field and vice versa.

b) Shutter Speed: Shutter speed determines the duration for which the camera's shutter remains open, exposing the camera's sensor to light. It's measured in fractions of a second (e.g., 1/250 sec). Faster shutter speeds freeze motion but let in less light, while slower speeds allow lighter but may cause motion blur.

c) ISO: ISO represents the sensor's sensitivity to light. A lower ISO (e.g., ISO 100) is less sensitive and requires lighter for proper exposure, while higher ISO settings (e.g., ISO 1600) make the sensor more sensitive, allowing for shooting in low-light conditions but potentially introducing digital noise.


Balancing these three elements is crucial for achieving a properly exposed image. Adjusting one affects the others, necessitating a balance based on the desired exposure, depth of field, and motion blur in the photograph.


Q3b) ISO

Ans) ISO, or International Organization for Standardization, in photography, refers to the sensitivity of the camera's image sensor to light. It originates from film photography, denoting the film's sensitivity to light, but in digital photography, it signifies the sensor's sensitivity.

a) Sensitivity: A low ISO number (e.g., ISO 100) represents low sensitivity, requiring lighter for proper exposure. On the other hand, higher ISO settings (e.g., ISO 800, ISO 1600) amplify the sensor's sensitivity, allowing for shooting in darker conditions without additional light sources.

b) Trade-offs: While higher ISO settings enable shooting in low-light environments, they introduce digital noise or graininess to the image. This noise can degrade image quality, impacting details and color accuracy.

c) Flexibility: ISO settings offer flexibility, allowing photographers to adjust sensitivity according to lighting conditions. However, it's essential to strike a balance between higher ISO for low light and the need to maintain image quality by avoiding excessive noise.


Understanding ISO settings empowers photographers to adapt to various lighting situations, optimizing exposure while considering the trade-offs between sensitivity, noise, and image quality.


Q3c) Aperture

Ans) Aperture in photography refers to the opening within the lens that controls the amount of light passing through to the camera sensor. It's measured in f-stops, denoting the size of the opening. A wider aperture (represented by a lower f-stop number like f/1.8) allows lighter to enter, while a narrower aperture (higher f-stop number like f/16) restricts the light.

a) Depth of Field: Aperture influences depth of field—the range of sharpness in an image from near too far. A wider aperture (e.g., f/2.8) creates a shallow depth of field, blurring the background and emphasizing the subject. Conversely, a narrow aperture (e.g., f/16) increases depth of field, keeping more of the scene in focus.

b) Lens Characteristics: Different lenses have variable maximum apertures. Prime lenses often have wider maximum apertures (e.g., f/1.4) compared to zoom lenses, providing greater control over depth of field and low-light capabilities.

c) Creative Control: Aperture settings offer creative control, allowing photographers to manipulate the background blur (bokeh), emphasize subjects, or capture expansive landscapes by adjusting the aperture size based on the desired effect.


Q3d) Shutter Speed

Ans) Shutter speed, in photography, refers to the amount of time the camera's shutter remains open, determining the duration of exposure and controlling the amount of light that reaches the camera sensor. It is measured in seconds or fractions of a second, such as 1/1000 or 2".

a) Freezing or Blurring Motion: Shutter speed plays a crucial role in capturing or controlling motion in a photograph. Faster shutter speeds (e.g., 1/500 sec or higher) freeze fast-moving subjects, while slower speeds (e.g., 1/30 sec) introduce motion blur, conveying a sense of movement.

b) Exposure Control: Adjusting the shutter speed is a key component of the exposure triangle. When paired with aperture and ISO settings, it helps achieve proper exposure. A faster shutter compensates for a wider aperture or lower ISO in brighter conditions.

c) Long Exposures: Slow shutter speeds (e.g., several seconds or more) are used for long-exposure photography. This technique captures stationary subjects sharply while blurring moving elements, such as flowing water or light trails.


Understanding shutter speed is essential for photographers to master techniques like freezing action, panning, or capturing long-exposure creative effects, contributing to their overall control and creativity in photography.


Q4) How do you see the future of radio in India? Support your answer with relevant data.

Ans) The future of radio in India appears dynamic and promising, driven by technological advancements, changing consumer behaviours, and the industry's adaptability. Here are key factors influencing the future of radio in India:

a) Digital Transformation: Online Streaming: The rise of internet connectivity has led to the emergence of online radio streaming platforms. Many traditional radio stations now offer digital streaming services, expanding their reach beyond terrestrial broadcasts.

b) Podcasting Boom: Podcast Platforms: Podcasts have gained popularity globally, and India is no exception. Radio stations are increasingly venturing into podcast production, providing on-demand content, and catering to diverse interests.

c) Regional and Vernacular Content: Regional Focus: India's linguistic diversity is reflected in its radio landscape. Stations catering to regional and vernacular audiences continue to thrive, offering content in local languages, which is crucial for engaging a vast and diverse population.

d) Community Radio Growth: Local Engagement: Community radio stations, focusing on hyper-local content and community engagement, contribute significantly to the media landscape. They play a vital role in addressing local issues and fostering community participation.

e) Technological Innovations: HD Radio and Digital Broadcasting: Advancements in digital broadcasting technologies, including HD Radio, offer improved sound quality and additional features. This enhances the overall radio experience for listeners.

f) Mobile Penetration: Smartphones and Mobile Apps: The widespread use of smartphones and the availability of radio apps contribute to the accessibility of radio content. Many radio stations have dedicated apps, allowing users to tune in from anywhere.

g) Adaptation to New Media: Social Media Integration: Radio stations leverage social media platforms for audience engagement, promotion, and real-time interaction. Integration with social media helps in staying relevant and connected with the audience.

h) Advertiser Interest: Revenue Opportunities: Advertisers continue to show interest in radio as an effective advertising medium. The adaptability of radio content to suit different formats, including sponsored segments and branded content, provides revenue opportunities.

i) Government Initiatives: Policy Support: Government initiatives and policies supporting the radio industry contribute to its growth. The expansion of community radio licenses and regulatory frameworks that encourage innovation benefit the sector.

j) Youth Engagement: Youth-Centric Content: Radio stations are focusing on creating content that resonates with the younger demographic. Youth-centric shows, music, and interactive formats are designed to capture the attention of the tech-savvy younger audience.


The future of radio in India seems promising, driven by a combination of technological evolution, content diversification, and adaptability to changing consumer preferences. The industry's ability to embrace digital platforms, produce compelling content, and cater to regional and demographic nuances will be crucial. Additionally, collaborations with new media, effective use of social platforms, and the exploration of innovative revenue models will likely shape the radio landscape in India. It is important to note that the dynamic nature of the media industry requires continuous adaptation to stay relevant in the evolving media ecosystem.


Q5) Write short notes on any four of the following:


Q5a) Previsualization

Ans) Previsualization in photography is the mental process of envisioning the final image before taking the shot. It involves visualizing the composition, lighting, mood, and overall look of the photograph.

a) Creative Planning: Previsualization aids in planning the creative aspects of the photograph, helping photographers anticipate the final result and plan their approach accordingly.

b) Composition and Framing: By previsualizing, photographers can determine the ideal composition, framing, and perspective that will best convey their intended message or story.

c) Technical Considerations: It allows for considering technical aspects such as exposure settings, depth of field, and shutter speed needed to achieve the desired outcome.

d) Efficiency and Precision: Previsualization enhances efficiency by reducing the need for trial and error during the shoot, enabling photographers to work more precisely towards their envisioned result.

e) Adaptability: While previsualizing, photographers remain open to improvisation and adaptability as actual shooting conditions might differ, allowing for creative flexibility in achieving the intended vision.


Q5b) Flat Lighting

Ans) Flat lighting in photography refers to a lighting setup or condition where there is minimal contrast between light and shadow, resulting in a lack of strong highlights or deep shadows.

a) Even Illumination: Flat lighting evenly illuminates the subject without creating strong shadows. This can be achieved using diffused lighting sources or by positioning the light source to minimize shadows.

b) Reduced Texture Definition: It diminishes the definition of textures, wrinkles, or contours on the subject, making surfaces appear smoother or less defined.

c) Soft and Flattering: Flat lighting can be beneficial for portraits or product photography as it tends to be soft and flattering, minimizing harsh shadows or unflattering facial lines.

d) Limited Dimensionality: It reduces the perception of depth and dimension in the image. While it may be suitable for certain artistic effects, it can sometimes result in a lack of visual interest or depth in the photograph.

e) Enhancing Certain Subjects: While flat lighting may not work for every subject, it can be useful for certain genres such as minimalist photography, where simplicity and uniformity are desired. However, it might lack the drama or depth in more dynamic compositions.


Q5c) Long Shot

Ans) A long shot, also known as a wide shot, is a cinematic or photographic framing technique that captures a subject or scene from a considerable distance, depicting a broad view of the surroundings.

a) Contextualizing the Scene: Long shots provide context by showing the subject within its environment. They establish the setting, location, or scale of the scene, offering a sense of place or scale.

b) Conveying Isolation or Emptiness: In some contexts, a long shot can convey a sense of isolation or insignificance of the subject within a vast or empty landscape, emphasizing solitude or desolation.

c) Visualizing Action or Movement: Long shots can capture movement or action across a wide area. They allow viewers to witness characters' movements or events within a larger spatial context.

d) Storytelling Tool: Directors and photographers use long shots as a storytelling device, introducing characters or setting the stage before zooming in for more intimate or detailed shots.

e) Creating Spectacle or Grandeur: Long shots are employed to showcase grand landscapes, architecture, or natural vistas, emphasizing the beauty or magnitude of the subject within its environment.


Q5d) Phone in Programmes

Ans) "Phone-in programs" refer to broadcast shows, commonly on radio or television, where audience members participate by calling in using their phones to engage in discussions, ask questions, or share opinions.

a) Interactive Engagement: Phone-in programs foster interactive engagement, allowing direct interaction between the audience and hosts or guests. Callers contribute to the content by sharing their perspectives or asking questions.

b) Real-Time Feedback: They offer real-time feedback, enabling immediate responses to current events, debates, or topics discussed on the show. This instant interaction adds dynamism and relevance to the program.

c) Audience Involvement: Phone-ins encourage audience involvement, making the audience feel part of the conversation. This engagement can enhance listener/viewer loyalty and satisfaction.

d) Diverse Perspectives: They provide a platform for diverse viewpoints and opinions. Callers from different backgrounds contribute their thoughts, enriching discussions and offering varied perspectives on the subject matter.

e) Challenges and Moderation: Managing caller participation and ensuring respectful discourse pose challenges. Moderation is vital to ensure a balanced, constructive conversation without disruptions or inappropriate content.

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